JANUARY 7, 2012 — JANUARY 30, 2012

Chiara No’s practice is to redefine and re-construct materials by stripping them of their original purpose and cultural significance, reducing them to objects qua objects. Through the recalibration of these objects, she intends to illicit pure aesthetic seduction. The objects avoid didacticism and social critique; not out of anti-intellectualism, but rather out of an indifference towards intellect. By presenting streamers and embroideries without origin, context, or function, the work’s intent is to highlight their inherent beauty. They are feral forms, practical items which have escaped their domestic sphere. Wholly superficial and unconcerned with wit or place, they lean instead toward an existential happiness, an emotional zone where the pieces’ essential nothingness is in fact its content. And, grouped together, the pieces play against each other, exhibiting an even stronger, more congenial emptiness that defies both original and new milieu; they emphasize that an accumulation of everything is still nothing.